A further improvement over the Xbox and PS2 versions is the discarding of the acceleration minigame before you started the crash junction. Another great change is the traffic checking, which lets you slam same direction traffic out of your way. You can't take out a big rig or a bus, but you can knock other traffic into them to take them out.
Finally, I've got to say that after walking through the races in Burnout 2 and 3, I was happy to see a much more refined balance in this game.
It is difficult to get a gold the first time around in certain gameplay modes, and even at lower levels, getting the highest rank in a normal race offers good challenge. Ultimately, all improvements aside, there are two reasons why Criterion deserves accolades for their design. First, Burnout games are always really easy to play, since you can just jump straight in and start playing. Second, these games almost always know exactly how to use their features to the fullest potential; Revenge is no exception.
Visually, this game serves to prove one important fact. I need a high-def TV. After seeing the difference between a normal TV and a high-def TV, this game is meant to be played with such high quality. Visual distance is greater due to the clarity, and frankly, it is so much easier to avoid crashing on a better TV. Like most modern EA titles, the soundtrack that comes with the game is great, but what made me happiest is the sound of the Burnout theme playing over the intro menu screens.
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EMBED for wordpress. Burnout 3: Takedown was first in the series to feature the signature takedown system for combating opponents.
Revolutionizing the series, it has been the gameplay model for Burnout games ever since. It goes to the Xbox Screen, with Burnout Revenge in the foreground. This game from a disc then just patch the default.
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